Call for entries

The Slip Cast Object

Revisited 

A Juried Exhibition of Contemporary Slip Cast Ceramic Work

Juror: Heather Mae Erickson

June 5th-July 25, 2015

Call for entry dates March 16-April 10,, 2015


Click here for submission and prospectus

 

The Slip Cast Object Revisited will be the 10th anniversary of the first Slip Cast Object exhibition that was held in Steamboat Springs Colorado in 2005.

This first national exhibition devoted to slip cast ceramics was organized by Jonathan Kaplan and Ceramic Design Group. Richard Notkin was the juror for this exhibition.


 

 

Address & Gallery Hours

Plinth Gallery
3520 Brighton Blvd
Denver CO 80216

Gallery Hours 

We are open
12-5pm Thursday - Saturday
and most First Fridays.
We are also open by appointment.

Phone
303 295-0717


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Thursday
Apr092015

Andrea Moon

Specific Structure

 

For our April exhibition, Plinth Gallery welcomes ceramic artist Andrea Moon and her solo exhibition, “Specific Structure”.  Moon grew up in Northwest Ohio and began making ceramics at the Packer Creek Pottery Company before attending Bowling Green State University where she received her BFA in 3-Dimensional Studies, followed by her MFA in Ceramics at Texas Tech University. Andrea has held Artist in Residence positions at the Watershed Center for Ceramic Arts in Maine and the Arrowmont School of Arts and Crafts in Tennessee. She is currently the Residency and Communications Coordinator of the Red Lodge Clay Center in Red Lodge, Montana. She has been chosen as a 2015 Raphael Founder’s Prize finalist by the Society of Contemporary Craft in Pittsburgh PA.

Moon’s work is about building structural forms using repetitive clay parts in which she creates volume and form. Her clay compositions reflect the transition to domesticity in her personal life. Using the analogy of “using bricks to build a home”, her work is constructed using multiple clay parts to make a larger vessel. Each part is obsessively placed to build both an inner and outer form. She uses these complex structures to explore ideas about “shelters and dwellings as a means to find a sense of place and home.”  Moon says of her work, “In my search for a particular space and comfortable surroundings, I find my happiness in the movement of my life choices.  As that appreciation continues forward, I seek balance by creating clay structures that reflect my graciousness toward my present, past, and future. "

Plinth Gallery curator Jonathan Kaplan notes “Andrea Moon’s coil built constructions are a personal exploration of a sense of place driven by her life choices.  The gentle undulations of form enhanced by the repetitive use of textural coil elements are both provocative and compelling.” 

Saturday
Jan172015

Peter Pincus  "Accomplice"

 

Plinth Gallery is pleased inaugurate our 2015 exhibition schedule with the colorful ceramic work of Peter Pincus. Peter began his studies at Genesee Pottery while in high school, then attended Alfred University where he earned his Bachelor of Fine Arts in 2005. Upon graduation, he moved to northern California, where he was awarded a residency at the Mendocino Art Center. From 2006-2009, Peter served as the studio manager and instructor at the Turk Hill Craft School in Fairport, NY, followed by completion of his Master of Fine Arts degree from Alfred University in 2011.  Peter has come full circle and is currently the studio manager at the Genesee Pottery, where his studies began. In addition, he is Adjunct Professor of Ceramics at Roberts Wesleyan College in Rochester, NY. Peter has a studio in Penfield, NY, and spends much of his free time sanding plaster, playing with colored slip and taping bisque-ware.

His highly decorative ceramic vessels are studies in both color and form. The pieces in this exhibition are all made in a relationship to the color or composition of what he refers to as a “partner piece.” Using colored clays and mold making techniques, Pincus deftly crafts highly decorative wares that are “three dimensional paintings out of pots.” He combines hard edge color arrangements that effortlessly float on the surfaces of his ceramic forms. He uses the vessel form as a canvas: pattern and symmetry occupy the surface and articulate the structure of his forms. His ceramics are opulent, full of color and either richly presented with a covering of clear glaze, or left unglazed, with those sections lush and soft to the touch, deeply saturated with ceramic pigment that permeates through the entire piece.

Plinth Gallery Curator Jonathan Kaplan describes Pincus’ ceramics as “highly structured vessels”, calling Pincus an exquisite craftsman, whose melding of surface and form together in subtle ways excites our sensibilities about ceramics. Pincus understands the simple concepts of line and edge, playing them off of each other with a fastidious attention to both form and color.

Peter Pincus’ exhibition “Accomplice” opens on First Friday, February 6th from 6pm-9pm, the event is free of charge and open to the public. The work will be on display through March 28th.   For more information, contact Plinth Gallery at 303-295-0717 or gallery@plinthgallery.com. Plinth Gallery is a proud member of the River North Art District (www.rivernorthart.com).

Wednesday
Oct292014

 Sam Chung   "Skyscapes"


                November 7, 2014 through January 2015


 

Sam Chung teaches ceramics in the Herberger College School of Art at Arizona State University. He holds a Bachelors of Arts degree from St. Olaf College and received his Masters of Fine Arts degree from Arizona State University. His work is well anthologized both nationally and internationally, and is featured in many collections including the Taipei County Yingge Museum in Taiwan, the Incheon World Ceramic Center in Korea, and The Everson Museum of Art in New York. His vessels reflect deep historical and cultural references. Whether teapots, containers or tableware, Sam’s work is thoughtful, well designed and impeccably made. 

“I am interested in the way pots have the unique ability to serve a multitude of roles and functions. They can exhibit decorative beauty, bring attention to more functional or tactile concerns, and also create historical, cultural and experiential associations. I work within the context of pottery to exploit its universal familiarity and impose my own vision for merging historically and culturally disparate influences. I am curious about the relationships I see among various forms of creative expression from both past and present, and try to bring forth a new language of pottery for the future.”

Plinth Gallery Curator Jonathan Kaplan further elaborates, “Sam Chung’s distinct work is the result of an understanding of the importance of design while also an awareness of the history and tradition of ceramics. His work moves beyond mere utility and convention by balancing form, function, and design, and is a fresh approach to vessel-making.” 

“Skyscapes” opens at Plinth Gallery First Friday, November 7, with an artist reception from 6-9pm.  The event is free and open to the public, and will be on display through January 2015.  Plinth Gallery will also host a 2-day ceramic workshop instructed by Sam Chung on Nov. 8-9.  Cost to attend is $265 which includes all material.  Please contact the gallery at 303-295-0717 or gallery@plinthgallery.com for further information and to register.

 Plinth Gallery is located at 3520 Brighton Blvd, Denver, in the River North Art District.  

Thursday
Jul242014

 

 

"white-out"


New Ceramic Sculpture

by

Jury Smith

 

August 1 2014 - September 26, 2014

 


        Denver Red Drop  earthenware with majolica glaze

white·out /’(h)wit,out/ noun - A condition of diffuse light when no shadows are cast, due to a continuous white cloud layer appearing to merge with the white surface. No surface irregularities are visible, but a dark object may be clearly seen. There is no visible horizon.

 Jury Smith’s ceramic sculpture is quiet and unassuming; she works with volume and color constructing large forms finished with a subdued glaze color pallet. Her attention to surface is minimal, based on observations within the physical world. The pieces dominate the exhibition space with a reserved presence. Smith’s work has a structured methodology:

“In my studio practice, a craft approach of systems, repetition and rules, coupled with my own conceptual response through searching, filtering and gathering, allows for a sense of certainty and elasticity. I work with a limited number of forms, so the repetitive nature of my work allows small shifts to register as significant gestures.”

Smith uses her glazes as an image-making material, while still considering the glaze attributes of sheen and texture.  In her “Grey Series”, she uses perspective by way of horizon or water lines, to activate a point of departure. Her “Color Series” uses colors to explore the interaction between color and function. When placed on a ceramic form, she sees these colors as more clearly revealing function.

“Geometric forms are primary to my work. The intent is to express a familiar and open quality that indirectly engages memory. Some forms appear quite simple, while others are visually active and almost kinetic. This kinetic quality directs attention towards the mutable and the impossibility of being truly static. Moment to moment, color and contrast impress upon form to either reveal or disguise an object. Viewed from a distance or up close, these elements engage in a constant (though often subtle) state of flux. My current body of work explores these visual transitions as expressions of personal experience.”

Plinth Gallery curator Jonathan Kaplan regards Jury Smith’s ceramic sculpture as, “thoughtful and reflective of the interaction between object and space. The strength of her work resides in its simplicity.”  

Thursday
May292014

 

 

 

Desert Influences

Ceramic Work by Tom Kerrigan

 

Plinth Gallery is pleased to present the ceramic work by artist Tom Kerrigan. Kerrigan holds an MFA from Ohio University and has held academic appointments at Virginia Commonwealth University and the University of Minnesota. He is presently retired from teaching and currently maintains a studio practice in Tucson, Arizona. His work is in collections of the Los Angeles County Museum, Museum of Art and Design, and General Mill Corporation. The artist has taught workshops in the United States, China, Ireland, German and Australia. Previous exhibitions of his ceramic work have been in Yixing, China and Kilkenny, Ireland.

 

Kerrigan’s work is deeply influenced by his Sonoran Desert surroundings. He incises the surfaces of his sculptures with playful sketch-like markings that are further highlighted with ceramic pigment or glaze. These drawings help emphasize the connection he has with his surrounding environment.  The surfaces decoration presents an interesting counterpoint to his strong forms, parts of which resemble cactus or desert rock. While Kerrigan makes sculptural vessels that can have a very quiet presence, others can be humorous, sensual, or even erotic.

Plinth Gallery curator Jonathan Kaplan remarks, “Kerrigan is a deeply introspective individual and I am very excited to have an artist of his stature exhibiting at Plinth Gallery. He brings a considerable wealth of experience with his innovative techniques of making sculptural vessels. His work has a very quiet yet dominating presence.”

Kerrigan’s exhibition “Desert Influences” will open at Plinth Gallery First Friday June 6th with an artist reception from 6-9pm. The even is free of charge, and the exhibition will be on display through July 26th